Dolby AtmosCampaign

Atmos Single & Trailer Mix for Release Campaigns

Campaign-ready Atmos mixes for singles and trailers, delivered on the schedule your marketing team is already working to.

Release campaigns run on fixed dates. An immersive mix that arrives after the assets are locked is worth nothing, however good it sounds.

Built around your launch date

We work backwards from street date, delivering the Atmos single or trailer mix with enough margin for distributor ingestion, platform QC and any last-minute creative changes.

Every asset the campaign needs

  • Full Atmos mix and certified delivery file
  • Binaural version for headphone-first promotion
  • Social cutdowns matched to the immersive master
  • Stereo derivative for standard placements

Trailer work follows the same path, with spatial movement designed to land the key moments rather than simply widen the bed.

Frequently Asked Questions

How fast can you turn around a single in Atmos?

A single typically takes a few days from receipt of stems. Campaign deadlines are agreed up front and scheduled backwards from street date.

Do you deliver social cutdowns as well?

Yes. We produce cutdowns matched to the immersive master so short-form promotion shares the same tonal identity as the release.

Can you mix trailers in Atmos?

Yes. Trailer mixing uses spatial movement deliberately to emphasise key moments, alongside stereo and binaural versions for every placement.

What do you need to start?

Multitrack stems or a session file, your reference mix, the street date and a list of required deliverables.

More in Dolby Atmos & Spatial Audio

Stereo-to-Atmos Catalog Conversion

Turn your back catalog into immersive, distribution-ready Dolby Atmos masters without losing the character of the original mix.

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Apple Music ADM BWF Delivery & QC

Rejection-proof Apple Music delivery — correct ADM BWF structure, metadata, loudness and binaural rendering, verified before it leaves our studio.

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Binaural Headphone Mix Versions

Dedicated binaural renders tuned for headphones — because that is where most of your audience will hear the immersive mix.

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Atmos Fold-Down & Stereo Derivative Mastering

Stereo versions derived from the Atmos mix, mastered properly so they stay competitive next to the immersive release.

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Multi-Platform Atmos QC

One Atmos master, three platforms, three renderers — we verify your release behaves on all of them before it ships.

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Eclipsa Audio Deliverables

Immersive deliverables in Eclipsa Audio, the open spatial format backed by Samsung and Google for YouTube and compatible devices.

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Sony 360 Reality Audio Versions

Object-based 360 Reality Audio versions authored and delivered for platforms that support Sony's spatial format.

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Atmos for Live Sports & Broadcast (S-ADM)

Real-time immersive audio for live sports and broadcast, using serial ADM workflows built for the pressure of live transmission.

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Live Concert & Livestream Spatial Mixing

Immersive mixes for concerts and livestreams, live in real time and mastered afterwards for on-demand release.

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Automotive Spatial Audio Design & Tuning

Immersive audio designed for the cabin — measured, tuned and voiced for every seat, not just the driver's.

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Atmos Room Design, Calibration & Certification Support

Design, calibrate and certify an Atmos room you can trust — from speaker layout and treatment to the certification paperwork.

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Atmos Mix Rescue & Remedial Pass

Third-party Atmos mix not translating or failing QC? We diagnose it, fix it and get it through delivery.

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Immersive Audio Consulting Retainer for Labels

Ongoing immersive expertise for labels — catalog strategy, delivery standards, vendor oversight and team training.

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Spatial Audio for Retail, Venues & Exhibitions

Sound designed for a space rather than a speaker pair — zoned, composed and tuned on site for retail, venues and exhibitions.

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Atmos Podcast & Spoken-Word Mixes

Immersive mixing for podcasts, audio drama and narration — spatial storytelling that never sacrifices intelligibility.

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Head-Tracked & HRTF-Personalized Mix Variants

Mixes that hold together when the listener turns their head — optimised for head tracking and personalised HRTF playback.

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Atmos Deliverable Audit Before Distribution

A final independent check on your full delivery package before it goes to the distributor — catch the rejection before it happens.

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