Dolby AtmosCatalog

Stereo-to-Atmos Catalog Conversion

Turn your back catalog into immersive, distribution-ready Dolby Atmos masters without losing the character of the original mix.

Your catalog is the asset that keeps earning. Converting it to Dolby Atmos puts those titles back in front of listeners on platforms that actively promote immersive audio.

How we approach conversion

Every title starts with a source assessment. If multitrack stems exist, we rebuild the mix in an object-based session and place elements deliberately. When only a stereo master survives, we use separation and spatial processing to open the image while protecting the tonal balance that made the record work in the first place.

What you get

  • Source assessment and stem recovery review
  • Object-based Atmos session build
  • Creative spatial placement, reference-matched to the original
  • Binaural check pass on headphones
  • Certified ADM BWF plus a stereo fold-down

Batch pricing for volume

Catalog work is scheduled in batches so tone and spatial language stay consistent across an artist's discography, and so per-title cost drops as volume grows.

Frequently Asked Questions

Do you need the original multitracks?

Multitracks give the best result, but they are not required. We regularly convert titles from stereo masters alone using source separation and spatial processing.

Will the Atmos version sound different from the original?

It will sound wider and more dimensional, but we reference every conversion against the original master so the tonal balance, arrangement focus and character stay intact.

How many titles can you convert at once?

We schedule catalog work in batches and scale to full discographies. Larger batches keep the spatial treatment consistent and reduce the per-title cost.

What files do I receive?

Each title is delivered as a certified ADM BWF for distribution, a binaural reference, and a stereo fold-down derived from the Atmos mix.

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Rejection-proof Apple Music delivery — correct ADM BWF structure, metadata, loudness and binaural rendering, verified before it leaves our studio.

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Dedicated binaural renders tuned for headphones — because that is where most of your audience will hear the immersive mix.

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Atmos Fold-Down & Stereo Derivative Mastering

Stereo versions derived from the Atmos mix, mastered properly so they stay competitive next to the immersive release.

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Multi-Platform Atmos QC

One Atmos master, three platforms, three renderers — we verify your release behaves on all of them before it ships.

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Sony 360 Reality Audio Versions

Object-based 360 Reality Audio versions authored and delivered for platforms that support Sony's spatial format.

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Campaign-ready Atmos mixes for singles and trailers, delivered on the schedule your marketing team is already working to.

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Real-time immersive audio for live sports and broadcast, using serial ADM workflows built for the pressure of live transmission.

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Design, calibrate and certify an Atmos room you can trust — from speaker layout and treatment to the certification paperwork.

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Atmos Mix Rescue & Remedial Pass

Third-party Atmos mix not translating or failing QC? We diagnose it, fix it and get it through delivery.

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Ongoing immersive expertise for labels — catalog strategy, delivery standards, vendor oversight and team training.

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Sound designed for a space rather than a speaker pair — zoned, composed and tuned on site for retail, venues and exhibitions.

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Immersive mixing for podcasts, audio drama and narration — spatial storytelling that never sacrifices intelligibility.

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Head-Tracked & HRTF-Personalized Mix Variants

Mixes that hold together when the listener turns their head — optimised for head tracking and personalised HRTF playback.

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Atmos Deliverable Audit Before Distribution

A final independent check on your full delivery package before it goes to the distributor — catch the rejection before it happens.

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